"You do mean literally everything, to the last little miniature on the last little screen?" "Has let herself go." Mrs. Gereth spoke as if she saw it in every detail.!

Mrs. Brigstock, at this, became vivid at once; Fleda thought she looked most peculiar. She stood straight up, with a queer distention of her whole person and of everything in her face but her mouth, which she gathered into a small, tight orifice. Fleda was painfully divided; her joy was deep within, but it was more relevant to the situation that she should not appear to associate herself with the tone of familiarity in which Owen addressed a lady who had been, and was perhaps still, about to become his mother-in-law. She laid on Mrs. Brigstock's arm a repressive hand. Mrs. Brigstock, however, had already exclaimed on her having so wonderful a defender. "He speaks, upon my word, as if I had come here to be rude to you!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"

"No. I knew only that you had had, in London, all that you told me, that day, to do; and it was Mona's idea that after your sister's marriage you were staying on with your father. So I thought you were with him still." "Then where is he?" poor Fleda helplessly wailed. She caught herself up, however; she did her best to be brave and clear. Before Mrs. Gereth could reply, with due obviousness, that this was a question for her not to ask, but to answer, she found an air of assurance to say: "You simplify far too much. You always did and you always will. The tangle of life is much more intricate than you've ever, I think, felt it to be. You slash into it," cried Fleda finely, "with a great pair of shears, you nip at it as if you were one of the Fates! If Owen's at Waterbath he's there to wind everything up." Fleda wondered. "And did you remember the little letter that, with your hands tied, you still succeeded in writing to him?"